Euforia has released the first full-length trailer for Norwegian filmmaker Aleksander Nordaas’ disturbingly sexy mythological creature-feature Thale. The film stars Silje Reinamo (Dunderland) as a deadly woodland nymph known in Norwegian folklore as the Huldra.

Huldras are beautiful, cow-tailed women who lure horny outdoorsmen deep into the woods to never be seen again … well, at least they’re not fat. Thale will play theaters in Norway on Feb. 17. No word on a North American release date.

(See Clatto’s list of the 11 Sexiest Man-Eaters)

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The first season of the Canadian supernatural series “Lost Girl” is set to premiere tonight on Syfy. The show, which is currently heading into its third season, will introduce American audiences to Bo (Anna Silk), a beautiful woman who discovers she’s a succubus after inadvertently fucking her mates to death.

To remedy the situation, Bo opens a detective agency with BFF Kenzi (Ksenia Solo) and together they solve supernatural cases while investigating Bo’s origins. Things get complicated, however, when Bo develops romantic relationships with detective/werewolf Dyson (Kristen Holden-Ried) and sexy scientist Lauren (Zoie Palmer).

Peep a fan-made trailer (it’s more Clatto style):

Giselle Itié, the Mexican-born and Brazilian-raised actress who made her American feature film debut as beautiful revolutionary Sandra Garza in Sylvester Stallone’s The Expendables, has jumped on board Chilean director Jorge Olguin’s ghost ship frightener Caleuche.

The film stars Itié as a terminally ill Boston-based marine biologist who sets out to visit the island of her ancestors and discovers their link to the Caleuche, a large phantom vessel known to sail the seas of Chiloé at night in search of drowned spirits.

The ship is manned by two sisters—a siren named Chilota and a water-spirit called Pincoya—and their brother Pincoyo, a male water-spirit who happens to be married to his Pincoya sister (kinky!). The $2 million ChileFilms and Olguin Films production is set to roll camera in Santiago, the capital city of Chile.

Starz has released a three-minute featurette for their upcoming original re-imagining of the Arthurian legend “Camelot.” Like its ratings champ “Spartacus: Blood and Sand,” the series promises sex, violence, and beautiful people.

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The show’s official synopsis reads:

In the wake of King Uther’s sudden death, chaos threatens to engulf Britain. When the sorcerer Merlin has visions of a dark future, he installs the young and impetuous Arthur, Uther’s unknown son and heir, who has been raised from birth as a commoner. But Arthur’s cold and ambitious half sister Morgana will fight him to the bitter end, summoning unnatural forces to claim the crown in this epic battle for control.

These are dark times indeed for the new King, with Guinevere being the only shining light in Arthur’s harsh world. Faced with profound moral decisions, and the challenge of uniting a kingdom broken by war and steeped in deception, Arthur will be tested beyond imagination. Forget everything you think you know…this is the story of Camelot that has never been told before.

“Camelot” stars Jaime Campbell Bower as King Arthur, Tamsin Egerton as Guinevere, Claire Forlani as Queen Igraine, Eva Green as Morgana, and Joseph Fiennes as the wizard Merlin. The series begins its ten-episode run on April 1.

Looks like Bollywood starlet Mallika Sherawat won’t be charming our trouser snakes anytime soon. The gorgeous 33-year-old actress’ hypnotic portrayal of a half-woman/half-snake creature known in Eastern folklore as the Nagin remains, at the moment, for Indian eyes only thanks to Hisss producers.

However, comments made by cursed director Jennifer Lynch suggest that may be for the best. She tells Fenil and Bollywood:

Hisss was taken away from me in the edit. I have no idea what the film looks like. I came close to a directors’ cut, which Mallika, Venus and producers (Govind Menon and Vikram Singh) referred to as ‘European, languid and sensual’ all the things I thought were compliments.

Apparently, that did not make them happy. I have no idea what is out there. They took the songs out; they wanted more horror. Good or bad, I cannot take credit for it. Aside from shots and performances that I pray have not been butchered.

Lynch (daughter of David Lynch) made her directorial debut in 1993 with the outrageous psychological drama Boxing Helena. The film, which centered on a surgeon so consumed with a woman that he amputates her limbs to keep her from leaving him, was severely panned by critics and caused a shit-storm of outrage from the National Organization of Women.

Lynch, then 25, embarked on a self-imposed 15-year hiatus that came to an end with the release of her sophomore effort Surveillance in 2008. Yup. Hisss is her third film.

Goodbye, Jennifer. See you in another 15 years.

Sherawat’s snake-woman made Clatto’s list of The 11 Sexiest Maneater Babes in Horror & Sc-fi.

The first images from director Tarsem Singh’s Immortals (formerly entitled War of the Gods) have hit the web. The fantasy-adventure, which pits men against gods ala Clash of the Titans, went into production last month in Montreal.

Immortals stars Henry Cavill as our hero Theseus, John Hurt as Zeus, Mickey Rourke as King Hyperion, Twilight’s Kellan Lutz as Poseidon, Stephen Dorf as master thief Stavros, Isabel Lucas as the Goddess Athena, and Slumdog Millionaire’s Freida Pinto (pictured above) as Phaedra the oracle priestess.

To read about Pinto’s new role in Rise of the Apes, go here.

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Transformers 2 babe Isabel Lucas has signed on to star as the Goddess Athena in Relativity Media’s Clash of the Titans ripoff inspired fantasy adventure Immortals (previously entitled Gods of War and Dawn of War).

Lucas is the latest addition to a cast that includes John Hurt as Zeus, Mickey Rourke as King Hyperion, Twilight’s Kellan Lutz as Poseidon, Stephen Dorf as master thief Stavros, and Slumdog Millionaire’s Freida Pinto as Phaedra the oracle priestess.

Immortals began shooting this month. Tarsem Singh (The Cell) directs.

You fucking heathens.

While I was out hosting Easter egg hunts for the homeless and retarded, you all flocked to the movies to catch the Legendary Pictures/Warner Bros. remake of Clash of the Titans. The film earned  $61.4 million at the box office, an Easter weekend record.

Not surprisingly, talk about a Clash of the Titans trilogy has begun.

Director Louis Leterrier tells MTV:

I’m not saying I know what exactly will happen to Perseus in the next two movies, but I know the direction and it’s pretty exciting.

It’s ancient superheroes. You’ve got so many creatures, so many heroes, so many gods. You have Daedalus, Icarus, Percivel. Amazing stuff. You’ve got several worlds. I could spend the rest of my life directing Greek mythology movies and I would still not finish everything.

Screenwriters Phil Hay and Matt Manfredi are also eager to keep their noses buried in cocaine and hooker ass. The duo have already begun brainstorming on where to take the franchise to next.

Hay says:

There are so many small stories to mine that don’t make movies on their own, but you can weave them together and create a comprehensive world. We all hope we get to do it. It would be thrilling.

UPDATE: Leterrier and his screenwriters are out. Battle: Los Angeles director Jonathan Liebesman and writers Dan Mazeau and David Leslie Johnson are now on board Clash of the Titans 2.

“Lost” executive producers Carlton Cuse and Damon Lindelof  want fans to know that the upcoming sixth and final season of the Emmy award-winning show will be gratifying and “cliffhanger-free,” with the focus set firmly on resolving character arcs.

Lindelof tells The Hollywood Reporter:

It really boils down to: Is it satisfying? Have you given the audience an emotional ride that makes them feel they’re satisfied, that’s a good meal? The only question that’s ever mattered to us is what is going to happen to these people. What is the character resolution? That the audience feels like the characters had an arc — a beginning, middle and end. And I’m satisfied with that. All the crazy island mythology stuff, we love it, but it’s like terrorists attacking Jack Bauer — it’s stuff that happens in order to tell cool character stories.

Cuse adds:

Tonally it’s most similar to the first season of the show. We’re employing a different narrative device, which we feel is creating some emotional and heartfelt stories, and we want the audience to have a chance in the final season to remember the entire history of the show. So we have actors coming back like Dominic [Monaghan] and Ian [Sommerhalder]. We’re hoping to achieve a circularity of the entire journey so the ending is reminiscent of the beginning.

On whether there will be any “Lost” projects in the future, Cuse says:

The Walt Disney Co. owns “Lost.” It’s a franchise that’s conservatively worth billions of dollars. It’s hard to imagine “Lost” will rest on the shelves and nothing will ever be made with “Lost.” Eventually somebody will make something under the moniker of “Lost” — whether we do it or not. We just made a commitment to this group of characters whose stories are coming to a conclusion this May.

Lindelof echoes Cuse’s sentiment, stating that:

Sometimes the franchise transcends the storyteller. The definitive edition of “Lost” ends this May on ABC, and that is the story that we have to tell. It has a beginning, middle and end. That ending will not have cliffhangers, or be set up in such a way that people will be saying, “Clearly they’re going to make more of these.” We don’t have any connection to another TV series or movie, but there’s a new “A-Team” movie coming out, for god’s sake. This is a business that thrives on known commodities. “Tron” is the most buzzed-about Disney movie for next year, and it has been gathering dust for 20 years. I cannot imagine there will not be something with “Lost” on it involving smoke monsters and polar bears and time travel.

Personally, I would love to see a spinoff based on the DHARMA Initiative. There is just so much to that part of the “Lost” mythos that needs to be explored.

“Lost” begins its final season on Feb. 2. To see new posters and a series recap, click here.

We’re still a few weeks away from going back to the island, but ABC is tossing us “Lost” fans a couple of lifelines to get us through the wait. Here you see two new promotional posters for the Emmy award-winning show’’s sixth and final season. The cast was shot in a recreation of Leonardo Da Vinci’s The Last Supper painting.

ABC has also released an eight-minute-plus recap of seasons 1-thru-5. I’m not sure if the clip is really meant to aid johnny-come-latelies (aka: poseurs) or to simply amuse die-hard fans with its quirky narration. Either way, kudos to the folks who put it together. Check it out:

“Lost” final season kicks off on Feb. 2 with a two-hour episode airing at 9 p.m. A one-hour refresher-clip show will precede the broadcast. And, don’t forget … ABC has moved “Lost” from its previous Wednesday night slot to Tuesdays.